Whenthefilmbegins，itisallover.Weknowit’sterminal，andthat’sall，saysJulianeofhermotherKerstin，whoisingreatpainandabouttodieagedjust64.Althoughtheyoungdoctorsheconsultsacknowledgesonapersonallevelthateveryonehastherighttomanagetheirowndeath，henonethelessremindsherthateuthanasiaisstillillegalinGermany.ThisisevenmorethecaseattheCatholichospicewhereKerstinisstaying.Asrelativescometosaygoodbyetohermotherandtheemotionsofmemoriesminglewiththeanticipationofgrief，Julianefindsherselfhavingtodobattlewithtime–unbending，apatheticandmonochrome–andthisissuperblyreflectedintheconvulsionsofthehandheldcamerainwideshots. Basedonpersonalexperience，JessicaKrummacher’ssecondfeaturefilmvividlyrelatesthepainfulstoryoflosingaparent.Thereisnoviolenceormorbidity，ratherthedirectordescribesthemostimportantofeventsviathesmallest，mostfragileofdetails–theexchangingofwords，textsandtendergesturesthatremainwithusandgetunderourskin.